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IKAT FROM NGADHA, INDONESIA


GALLERY  icon

literature

  • 076 NGADHA
    Sapu jara (sarong). Warp ikat. Early 20th c. Also Ngada, or referred to by name of capital, Bajawa.
  • 116 NGADHA
    Lue (blanket). Warp ikat. 19th to early 20th c. Probably Lopi Jo.
  • 164 NGADHA
    Utang (sarong). Weft ikat. Early 20th c. Ngadha, probably, Ende being another possibility. Yet another possible locale is northern Lio region called Detusoko.


Ngadha region - marked by great geographical and ethnic diversity


The administrative unit called Ngadha Regency, in the eastern part of western Flores (east of Manggarai), these days covers two culturally and historically distinct separate areas, Ngadha proper and Nage-Keo - with which we deal separately. In the colonial era these two areas were ruled by separate rajas, with their respective seats at Bajawa and Boawae. The region is home of two large volcanoes, Ebulobo and Inerie, that dominate the landscape and shape the climate. The zone is marked by great differences in altitude: settlement range from sea level to nearly 2000m (6000 ft), with concomitant differences in temperature and vegetation. It is also marked by an extreme ethnic diversity, caused by small scale invasions in prehistoric times of people from afar, and by the jungly, mountainous terrain which in the past made covering more than a few miles a taxing and hazardous undertaking. As a result, there are so many small ethnic entities, marked by distinct customs, dialects and cultural products, that they have not even been fully charted. The fact that travel on Flores can still be a challenge helps this situation to persist.
     The characteristics of the terrain have also led to rather pronounced isolation of the region, and left it economically backward. When we visited the Ngadha region in the early 1980s (during the rainy season, which did not help), it offered a singularly depressing aspect. All we saw, with the exception of a few zones in the main town, Bajawa, located in a bowl and an administrative centre already in colonial times, pointed at crushing poverty, protracted hunger and debilitating illnesses. In hamlets at the higher elevations villagers sat huddled in front of their rickety huts under leaking palm thatch, clutching some cheap cottons and plastic sheets about them to ward off damp and the chilling cold. In the marketplaces there was precious little on offer.
     It was quite common (as it was in most regions of Flores, and on other islands in Eastern Nusa Tenggara), to see a seller sitting behind a single clutch of bananas or a small pile of areca nuts, patiently, and no doubt often in vain, waiting for custom. Many children had the extended bellies caused by chronic malnutrition, many grown-ups the caved in chests caused by tuberculosis.
     We saw no beautiful textiles anywhere, just cheap and flimsy Javanese cottons, and some semi-industrial ikat textiles made with chemical dyes. Photographs from the early 1900s, such as those in the Tropenmuseum in Amsterdam, available on Wikimedia, show that in those days as well the people of the Ngadha area seemed to dwell at subsistence level, also culturally, with little in the way of decoration.


Ngadha women spinning and weaving plain cloth for daily wear
Ngadha women spinning and weaving plain cloth for daily wear. Photographer unknown, early 20th C. Tropenmuseum of the Royal Tropical Institute (KIT), Creative Commons Licence.";

The ikat textiles of Ngadha - sought after naivety

Cloth production in Ngadha was helped by the fact that in the low-lying areas cotton can be cultivated, whereas indigo grows well in the temperate zones at middle elevations. Apparently Morinda citrifolia, the common source of red dye in the archipelago, does not grow well here. It certainly is hardly ever used. In the old days, daily wear in the Ngadha region was a plain, stark indigo sarong - which very few people consider collectable. However, the region is also home to a type of ikat cloth that is decorated.
 
Fragment of Ngadha ikat textile

 
Fragment of Ngadha aristocrat's ikat attire

The traditional ikat textiles of the Ngadha region, often referred to as Bajawa after its capital, are known for - and sought for - their strikingly 'primitive' appearance. The decorations are made exclusively with indigo, the motifs appearing in white where ties were applied to the warp. The most typical and most appealing motifs are horses, a sign of nobility. Remarkable is that they are executed as stick figures, not unlike some prehistoric cave drawings. The white lines of the figures tend to actually be a very pale blue, due to the Ngadha practice of steeping the cloth in the indigo repeatedly, and for such a long time that some of the pigment bleeds into the yarn beyond the resist. This concentrated dyeing produces a very intense blue, seen no where else in the archipelago. The overall effect can be mesmerizing.

Ngadha - a curiously simple, 'nude' language

Normally when we study a region's cloth, we would not be very interested in its linguistic particularities, but in the case of Ngadha, and also Keo, the language is of interest because its characteristics reinforce the image of a people with rather limited development. These two languages are very odd in that they use no prefixes or suffixes (the way of creating new words by tagging bits on to words either back or front, as in per-form or child-hood), whereas the Austronesian family of languages to which they belong is quite generous in the use of affixes. Two of the closest relatives, Malay and Bahasa Indonesia, use prefixes and suffixes quite intensively,
 
Missionary-ethnologer Paul Arndt

 
sometimes even piling them up. But Ngadha and Keo are strangely 'nude', as if they are versions of Malay adopted by people who had difficulty learning it to its full degree of complexity. This has led linguist John Mc Whorten to speculate that maybe these two rudimentary languages came into being through contact with the 'little people' of Flores. In 2004 skeletons were unearthed on Flores from 13,000 to 18,000 years ago, so unprecedentedly small in size that they have been classified as a new human species, the Homo floresiensis. Curiously, the Ngadha and also the Manggarai to the west, have long had a legend about 'little people' who lived among them, till as late as the 1500s. So far, nothing but speculation, but intriguing because of the primitive, cave-drawing-like images on Ngadha ikats.

Tradition still holds - and affords status

Most of the ikat producing villages are located in the temperate, middle elevation zones where indigo cultivation is possible. The best known are Jerebuu and Langa, located in a valley under the east flank of the Inerie volcano, and Lopijo and Toni, tucked behind the rim of mountains that surrounds Bajawa. The latter are still very isolated and conservative, still using indigenous cotton and indigo only. The cloths from these localities are admired throughout the Ngadha region - and nowadays in New York and Singapore as well. An interesting tradition in the Ngadha region holds that in youth one is limited to plain or nearly plain cloths, and as one advances in age, after various levels of initiation accompanied by great feasts, can start to wear more intricate, more prestigious cloth. As Roy Hamilton states in Gift of the Cotton Maiden, "The most costly types of feasts [such as those requiring the slaughter of buffalo] were only within reach of the upper strata of society, so the garments associated with these events were essentially markers of aristocratic status. Today informants are reluctant to talk about such class distinctions, which no longer carry the weight of traditional law, but there is still a sense in some communities, that the most prestigious garments are appropriate only for individuals of high social standing." After making a feast involving buffalo slaughter, a man was entitled to wear cloths decorated with narrow bands of jara, horse, motifs.


 

Literature

As of this writing there is no recent, and therefore easily accessible monograph on the textiles of Ngadha. One of the best sources is Gift of the Cotton Maiden, edited by Roy Hamilton. See our Literature section. For an understanding of Ngadha culture there still is no better source than the work of Paul Arndt (see box).


Map indicating location of Ngada area on Flores






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